Transart MFA Student Claire Elizabeth Barratt – Two NYC performances

distENDed cinema: temporal flow in the wake of sound
– 2014 episode 2 – “The Opaque Body”

DEC 05
Friday, December 5
at 7:00pm – 11:45pm
Outpost Artists Resources
1665 Norman St, Ridgewood, New York 11385

“The Opaque Body” – performative audio visual works by:

victoria keddie

thomas dexter

stephen schaum

naval cassidy

luke dubois

kurt ralske

david linton & claire elizabeth barratt

angie eng with: koosil ja / geoff matters / hollie miller




The Forty-first Anniversary of EI performances at 224 Centre Street, The Forty-sixth Anniversary of the Founding of Experimental Intermedia, the Forty-sixth Anniversary of the 224 Centre Street loft, and, not least,
The Twenty-fifth Annual Festival with no fancy name, Part One (or A)

Phill Niblock, curator

Ákos Rózmann (1939-2005) – at 6PM
Thursday 4
His legendary work ”Twelve Stations,” recently relased on the MEGO label (7CDs) – presented in full scale: 6 hours 33 minutes 34 seconds in live diffusion by EMS director Mats Lindström; presented by EMS/Elektronmusikstudion as part of Swedish Energies 2014

Al Margolis (If, Bwana) (New York)
Monday 8 – at 9pm
with Katherine Liberovskaya (live video) and Claire Elizabeth Barratt and Joe Burgio (movement) perform Margolis’s Nocrem – a series of works based on Cesare Pavese’s poem Nocturne; first performance with live video and movement and live mix of prerecorded sound/music including spoken text, voices, percussion and trumpet

Jaap Blonk (Netherlands)
Wednesday 10
Presents “YappiScope”: his first full show with visual projections;
it contains new videos, scores he wanders through, interactive animations, live sound to silent films and other new multi-media work

Roger Kleier (New York)
Friday 12
Roger Kleier (electric guitar), Brian Chase (drums and percussion), with Annie Gosfield (sampling keyboard); a trio born in a torrential rainstorm meets again to mix equal parts drama and static, rhythm and abstraction, in a parallel universe built out of guitars, electronically altered guitars, drums, electronically altered drums, and noisy altered sample world

Emanuel Dimas de Melo Pimenta (Lisbon)
Sunday 14
Voyager 66 = a trip – Route 66 = romantic reference – 66 streets, New York City – Voyager’s trip – space probe – Sounds out from the Solar system – Sounds of a 1977’s planet Earth, inside the probe, now about 20 billion km from Earth – 37 years ago – a cabalistic number!
Also a trip inside each one of us – The concert includes the sounds of the audience – It is a party! It is a celebration! Like life. – Your sound – voice, movements, words, silence, glasses… everything – Inside outside – Starting when you arrive, ending when you go to sleep – in another dimension – What reminds me Suzuki when he said: “The right art is purposeless, aimless!”. – In this way, Voyager 66 has no explanation – It simply is

Carver Audain (New York)
Monday 15
My current work is an ongoing articulation of my interest in temporality and transition – aural intersections and physicality; a new piece comprised of prepared audio and radio will be presented along with recent work intended for a unique listening environment, such as the one provided at EI

Jacques Diennet (Marseille)
Wednesday 17
Le Pic Saint Loup – Jacques Diennet: composition, MIDI keyboard; Joe McPhee:
saxophone, pocket trumpet; Richard Dubelski: percussion & voice; René Bottlang: piano; Suzanne Joubert: text; Julie Demaison: production / distribution; it does not apply here a descriptive music, but the re-drawing of the image and imagination of the first emotional charge, catalyzing a place, harmonies and melodic undulations that load causes, its faults and escarpments – as a relief of mind; playing stretching, long sequences, also built on an adversarial principle (a dialogue ) between the abrupt tone, almost harsh percussive instruments (piano, percussion), their connotation “primitive”, the saxophone and the most sophisticated digital technology instruments – Pic Saint Loup tries slipping spatio -temporal and thus blurs confused elements of the universe, water, earth, and bring the viewer to live a contemplative experience
Production – Ubris Studio, with the support of Marseille City; Region PACA; General Council of Bouches-du-Rhône

Seth Cluett (US)
Thursday 18
The artist and composer presents a new long-form work for amplified paper, oscillators and prepared zither

Maurits Wouters (Belgium) with a documentary on Phill Niblock
Friday 19
Arcadia is a non-narrative, meditative 70 minute film; the film contains 7 shots; it has one subject: a lake (and his mystic aura) – Arcadia is a meditative exercise in watching; the film was made in the context of a PhD about domestic and performative filmpractice; it is funded by Brussels Art Platform

Our programs are supported by The David & Sylvia Teitelbaum Fund, Inc, the Aaron Copland Fund for Music, the Phaedrus Foundation, and the New York State Council on the Arts with the support of Governor AndrewCuomo and the New York State Legislature

224 Centre Street at Grand, Third Floor, N Y 10013 9pm
212 431 5127, 431 6430


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