Martha Wilson gives a talk about her work and Franklin Furnace at the Transart Winter Residency in New York, January 15, 2016
Martha Wilson (b. 1947) is a pioneering feminist artist and gallery director, who over the past four decades created innovative photographic and video works that explore her female subjectivity through role-playing, costume transformations, and “invasions” of other people’s personae. She began making these videos and photo/text works in the early 1970s while in Halifax in Nova Scotia, and further developed her performative and video-based practice after moving in 1974 to New York City, embarking on a long career that would see her gain attention across the U.S. for her provocative appearances and works. In 1976 she also founded and continues to direct Franklin Furnace, an artist-run space that champions the exploration, promotion and preservation of artists’ books, installation art, video, onliine and performance art, further challenging institutional norms, the roles artists play within society, and expectations about what constitutes acceptable art mediums.
As a performance artist she founded and collaborated with DISBAND, the all-girl punk conceptual band of women artists who can’t play any instruments, and impersonated political figures such as Alexander M. Haig, Jr., Nancy Reagan, Barbara Bush and Tipper Gore. In 2008 she had her first solo exhibition in New York at Mitchell Algus Gallery, “Martha Wilson: Photo/Text Works, 1971-74.” In 2009, “Martha Wilson: Staging the Self,” an exhibition of Ms. Wilson’s early photo/text work and one project from each of Franklin Furnace’s first 30 years, began international travel under the auspices of ICI (Independent Curators International); and in 2011, ICI published the Martha Wilson Sourcebook: 40 Years of Reconsidering Performance, Feminism, Alternative Spaces. Martha Wilson joined P.P.O.W Gallery, New York, and mounted a solo exhibition, “I have become my own worst fear,” in September, 2011.