TT PEOPLE

Mandu Ekpenyong is a Senior Lecturer in the MPH Global Health Programme at Manchester Metropolitan University. Mandu received a BSc in Medical Physiology from the University of Port Harcourt and an MPH in Maternal, Child, and Adolescent Health from the University of Ibadan, all in Nigeria.  Mandu received her Doctoral Degree in Public Health and Epidemiology, with specialisation in Maternal and Child Health, from the University of Wolverhampton.

Deborah Dudley is founder and artist in residence of Mehitable Blish Studios in Brooklyn, New York. Dudley specializes in curating, cataloguing, and reimagining a person's relationship to the art and artifacts within their daily lives, extracting the oral histories of individuals and families through their most treasured and mundane possessions.

Megan Curet is Puerto Rican American Bronx native performer, choreographer and educator. Her works draw on Afro-Latin rhythm and movement through mixed media, text and contemporary dance forms.

Marisa Eva is an interdisciplinary creative nomad, working through intuitive channels of communication to connect people, ideas and their work through visual and literary platforms.

Spelman Downer has worked as a visual artist since 1977, with studios in New York City, Santa Fe, NM, San Francisco, CA, Anchorage, AK, Hoboken and Jersey City, NJ. Lives in the Mojave Desert in Yucca Valley, CA where he is director of Gallery Turquoise South.

Dorit Cypis is an artist, educator, mediator, and community-builder exploring how history, identity, and social relations inform one another, guided by the question “Who are we to one other?”

Cella
Transart Co-founder and Director

An international artist, Cella has exhibited photographs at the Berlin Biennale, Lisbon Architectural Triennale, Tallinn Print Triennale, Rochester Museum of Fine Art, Melbourne Photo Biennale, Ruhr Biennale and Santorini Biennale. Cella holds an MFA degree and studied at Washington Square Institute for Psychoanalytic Training in New York, l’École des Beaux-Arts de Paris and l’Université Paris-Sorbonne and independently with Nicholas Nixon and Robert Frank.

Shelley Etkin is a transdisciplinary artist, educator, and gardener based in Berlin, Germany with roots in the US/Turtle Island and Israel/Palestine. She works at the intersections of art and ecology, engaging with relations between bodies and lands through place-based knowledges. Her work integrates practices from dance/somatics, herbal medicines, pedagogy, and intersectional queer feminist community organising. Shelley’s bodywork and earth-care practices are dedicated to expanding perception, communication, and connectivity particularly with the plant world. ‘Landing‘ as a process and movement forms the grounds for her methodology.

Alison J Carr is an artist, mentor, and independent scholar. She works visually and creates performances. Alison has shown her work nationally and internationally in USA and Europe. Career highlights include being a Site Gallery Platform / Freelands resident and co-editing Sex on Stage, with Dr Lynn Sally, forthcoming, Bloomsbury.

Jean Marie Casbarian (b. Aberdeen, MD) is an interdisciplinary artist who works across photography, video, sound, writing and performance. She holds an MFA from Milton Avery School of Art at Bard College, New York (2000) and a BFA from the University of Colorado at Denver (1987). Her artistic practice lies in her interests around the reinterpretation of memory, personal fictions, migratory space and the essence of time. Along with exhibiting her works throughout the United States, Europe, Central America and Asia, Casbarian has received a number of awards and artist residencies including the Lower Manhattan Cultural Council, Louis Comfort Tiffany Foundation nomination, The LaNapoule Foundation Grant in LaNapoule, France, the Chicago Artist's Assistance Project Grant, an Associateship with The Rocky Mountain Women's Institute and has been a Research Associate with Five Colleges, Inc (Amherst, MA).

Alessandra Cianetti
Co-PhD Programme Leader
Academic Advisement, Programme, Residency and Partnership Development

Alessandra Cianetti is a London-based curator, creative producer, writer, and researcher. Her work explores urgent socio-political issues with a focus on notions and lived experiences of physical, cultural, juridical, racial, gendered, economic borders.

Steve Dutton
Co-PhD Programme Leader
Admissions and Partnership Development

Steve Dutton is an artist, researcher and curator who works on both collaborative and individual projects. He is developing a new body work under the working title of “industry” which is including drawings, sound works, animations, objects and texts. His work is difficult to classify, as it moves between various media, materials, processes and forms.

Born in Washington, DC and raised in Bogotá, Colombia; Yvette Chaparro received her degree in Industrial Design from the Pontificia Universidad Javeriana. After moving to New York, she studied film and directed a documentary called “Designers on Design”. The film, which included interviews with some of the most influential designers of our time, was screened at the Tribeca Grand in New York and was shown around the world with the exhibit: “Strangely Familiar: Design and Everyday Life” by the Walker Art Center.

Gyungju Chyon’s work focuses on relationships between designed things and environments through engaging natural phenomena and exploring materialities. She is interested in delving beyond technological performance, seeking deeper and meaningful connections between things, environment and people for our health, well-being, and ecological living.

Sean Clute is an interdisciplinary artist, composer and performer. Clute’s creations embrace hybridization of media and interactivity to explore forms of interdisciplinary expression. By developing custom software and hardware, Clute experiments with technologies and methodologies to construct audiovisual instruments, sensor-based interfaces and computer generative processes. Collaboration, a key element in his work, is employed through partnerships with choreographers, musicians, scientists, writers and artists.

Hadar Cohen is an Arab Jewish multimedia artist, healer and educator based in Los Angeles. She is the founder of Malchut, a mystical school teaching direct experience of God through heart centered spiritual traditions. Hadar is a Jewish mystic who works to build decolonial frameworks for worshiping God. She is an artist weaving the spiritual with the political and her artistic mediums include performance, movement, writing, weaving, sound and ritual.

Geoff Cox is Associate Professor/Reader in Fine Art at Plymouth University (UK) and Associate Professor/Lektor in the School of Communication and Culture, Aarhus University (DK), currently engaged (with Jacob Lund) on a 3 year research project The Contemporary Condition funded by the Danish Council for Independent Research.

Bert de Muynck [Belgium, 1977] is an architect, writer, lecturer and co-director of MovingCities. He holds a MA Architectural Engineering [Catholic University Leuven, BE] and a GAS Cultural Sciences [Free University Brussels, BE]. He is a prolific public speaker, writer and has lived and worked in Amsterdam [NL, 2001-06], Beijing [2006- 09], Shanghai [2009-2018] and is now based in Lisbon.

Don Handa is a curator living and working in Nairobi

Ira Hoffecker is a German-Canadian artist who has resided and maintained her art practise in Victoria, Canada since 2004. She is an active member of the Federation of Canadian Artists.

A Kurdish Iraqi artist, Curator and Researcher. Studied MFA Fine Art at Goldsmiths London.

LAURA HICKS (she/they) is a queer feminist Canadian artist from Tkaronto (known as Toronto). Working as a choreographer, performer, and educator in the Frankfurt am Main area since 2013, she creates choreographic work for the stage, while also teaching in different contexts. Her interest is in sensory states, qualities and intensities explored through improvisation.

Alex Grünenfelder is a Canadian and Swiss artist and designer studying the sensory and relational nature of landscapes. His projects employ performance, printed matter, informal pedagogy, and expanded sensory modalities of tasting.

Lucy Finchett-Maddock is an artist and academic at Sussex Law School, writing, researching and teaching in the fields of critical legal theory and speculative philosophy. She is one of the founders of the Art/Law Network and writes broadly on the themes of resistance, aesthetics, property, artificial divisions of art and law, and entropy.

Britta Fluevog is a third-generation-matriarchal artist; her grandmother was a printmaker, her mother is a mixed media artist, as well as her father, who is a shoe designer. Born in Vancouver, Canada, Estonian-Canadian Artist Britta Fluevog is currently living in Jülich, Germany. Fluevog’s art practice primarily uses weaving and ceramics to create sculpture, and performance pieces. Fluevog completed her Master’s of Fine Art from Emily Carr University of Art and Design in 2015. Her thesis work looked at combining a material-based practice of textiles into the realm of social justice. In 2007, she received her Interdisciplinary Bachelor of Fine Art from the Nova Scotia College of Art and Design University. Upon graduating from her bachelors, Fluevog established a small ceramic co-op in a rural Ghanian village.

Marie France Forcier is a Canadian choreographer, performer, writer and pedagogue of contemporary dance forms. She is the director of Forcier Stage Works and the co-director of ReLoCate . Through studio research, public performances, publications and community initiatives, she predominantly engages with the intersection between trauma studies, somatic practices and western contemporary choreography.

Andrew Freiband is an artist, filmmaker, educator, producer, and research-artist. His praxis sits among the many intersections of art, education, media, film, journalism, literature, social impact, international development, research, and strategic design.

Professor Anna Gibbs teaches in the School of Humanities and Communication Arts at Western Sydney University. A member of the Writing and Society Research Centre and the Digital Humanities Research Group, she writes across the fields of textual, media and cultural studies focussing on feminism, fictocriticism and affect theory.

Laura González is an artist, writer, yoga teacher and an Athenaeum Research Fellow at the Royal Conservatoire of Scotland. She is also faculty at Transart Institute. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she teaches art and psychoanalysis at various institutions in Europe and the US. She creates intimate durational performances for galleries and festivals, including Unfix, Buzzcut, Glasgow Open House and Market Gallery, and, in 2019, her work was shortlisted for the Adrian Howells Award for Intimate Performance.

Victoria Gray (PhD) is an artist and practice-led researcher, and has presented work nationally and internationally throughout the UK, Europe, USA and Canada. With an initial conservatoire training in dance and somatic practice (1998 - 2004), and a PhD in philosophy, her primary medium and material is the body.

Carles Guerra (Amposta, 1965) holds a PhD from Universitat de Barcelona. He studied at the Faculty of Fine Arts, Universitat de Barcelona and the Media Studies Department, The New School for Social Research. He has pursued a career in art criticism, teaching and research. His most recent profile has been associated with outstanding positions in the field of cultural management, cultural policies and curatorial activities.

Carl Haase received a Bachelor’s Degree in Fine Arts from the Maine College of Art, Maine, US in 2001. In 2005 he completed a four-year apprenticeship in a letterpress studio in the Maine, US. Shortly thereafter, he founded and operated a silkscreen studio which specialised in fine art printing in conjunction with freelance design projects. Currently he is continuing this body of research as a PhD candidate at the University of Antwerpen’s ARIA (BE) program.

Tia Halliday B.F.A, B.Ed, M.F.A, Ph.D. (Candidate) is an internationally recognized artist, currently residing in Calgary, Alberta, Canada. Tia is also a tenured faculty member in the Department of Art & Art History at the University of Calgary where she is active in both Graduate and Undergraduate programs.

Anthi Kosma is an architect researching drawing as performative action and emotional writing. She obtained her PhD from the School of Architecture of Madrid in 2014 with Distinction (Sobresaliente Cum Laude). Since 2019, she has been teaching at the Department of Architecture at the University of Thessaly, Greece.

Birgit investigates the rules she (we) live by, dissecting, mending, normalizing and reallocating behavior. Her performative work designs or enhances guidelines in her own life, creating a long form performance that becomes a part of her daily life and identity.

Louis Laberge-Côté is a Toronto-based dancer, choreographer, teacher, and rehearsal director. An acclaimed performer, he has danced nationally and internationally with over 20 companies, and has been a full-time member of Toronto Dance Theatre (1999-2007) and the Kevin O’Day Ballett Nationaltheater Mannheim (2009-2011).

Anne Labovitz (born 1965) is an American artist based in St Paul, Minnesota, whose practice includes painting, drawing, and printmaking as well as experimental film and sound.

Donna Kukama has exhibited and presented performances at several notable institutions and museums, including the Nottingham Contemporary in Nottingham, Kunsthal KaDe in Amersfoort, Padiglione de'Arte Contemporanea Milano in Milan, South African National Gallery in Cape Town, Museum of Modern Art in Antwerp, Tate Modern in London, nGbK in Berlin, and the New Museum in New York.

Beth Krensky is Area Head and Professor of Art Teaching at the University of Utah. She is an artist working in the border zone between social issues and the sacred who creates objects and performative gestures as a contemplative act.

Syowia Kyambi
MFA Programme Leader 

Syowia Kyambi is a mixed media artist, who enjoys performing characters within her performance installations to tell stories, an alternative layered narrative about history in an attempt to disrupt mono-cultural violence. The connection between the psyche, history and the entanglement that exists within non-stagnant identities is ever present in her creative process. Her practice probes issues of race, perception, hierarchical systems, gender studies and body memory. Based in Nairobi and of Kenyan and German origin, Syowia Kyambi has received commissions by the Kenya Institute of Administration, the National Museum of Kenya and the Art 4 Action Foundation in Kenya.

Catalina Insignares is a Colombian choreographer and dancer based in Paris. She studied dance in Canada and France, and completed a Master’s degree in Choreography and Performance at the University of Giessen, Germany. Her pieces question the systems of artistic production and their relationship to society. She seeks the moment when dance generates unintelligible, whatever-like subjectivities and collectives. She works always in collaboration and long term associations (Caroline Creutzburg, Miriam Schulte, Else Tunemyr, Zuzana Zabkova, Gretchen Blegen) for choreography, dramaturgy, teaching and performance.

He Jin Jang is a multicity-based choreographer, researcher, dramaturg, curator and essayist, born and raised in Seoul, Korea. Jang has created, researched and written on the idea of & ‘choreography’; and & ‘living(surviving)’. Her choreographic works were presented at Seoul International Dance Festival (Korea), MODAFE International Dance Festival (Korea), Laboratorio Condensación (Mexico), National Museum of Contemporary Arts (Romania), WUK (Austria), American Dance Festival (US), New York Live Arts (US), The Kitchen (US), and Movement Research (US) among others. Jang’s projects were supported by Korea Arts Management Service Korea, The Saison Foundation Japan, Arts Council Korea Korea, and Seoul Foundation for the Arts and Culture. She was also invited as Knowing Dance More Artist (US, 17), Fresh Tracks Artist @ New York Live Arts (US, ‘14-15), Moving Dialogue Exchange Artist (Romania, ’11), DanceWeb Fellow (Austria, ‘11), and Artist-In-Residence @ Movement Research (US, ‘09-11).

Alden Jones holds degrees in Comparative Literature, Hispanic Studies, and Creative Writing from Brown University, New York University, and Bennington College. She is the author, most recently, of the hybrid memoir The Wanting Was a Wilderness. Her story collection, Unaccompanied Minors, won the New American Fiction Prize and was a finalist for a Publishing Triangle Award and a Lambda Literary Award.

Dean Kenning is an artist, writer and educator who lives in London. He makes kinetic sculptures that suggest an idiotic vitalism and he also has a wide-ranging diagram practice spanning art and learning. He has written about the politics of art and art education. He is the winner of the Mark Tanner Sculpture Award 2020-21.

Michael Kliën is a choreographer and artist whose work has been situated around the world. Kliën’s artistic practice encompasses interdisciplinary thinking, critical writing, curatorial projects, and, centrally, choreographic works equally at home in the Performing as well as the Fine Arts.

Caroline Koebel is an Austin-based filmmaker and writer, with recent retrospectives at Festival Cine//B (Santiago, Chile) and Directors Lounge (Berlin, Germany). Current research focuses on the relationship individuals have to the greater reality of contemporary global experience and the means by which information is disseminated, gathered and assimilated in the Web 2.0 age. 

Anthi Kosma holds a PhD (2014, Cum Laude & special mention) and DEA (2008) in architecture from the School of Architecture of Madrid (ETSAM) with scholarships from the Greek State Scholarships Foundation (IKY) and Triandaphyllidis foundation respectively.

Paula Kramer is an artist-researcher and movement artist based in Berlin. She holds a practice-as-research PhD in Dance (Coventry University) and was a post-doctoral researcher at Uniarts Helsinki between 2016 and 2019. She is currently active as an independent artist-researcher and until the end of 2020 as a visiting researcher at the Centre for Artistic Research of Uniarts Helsinki.

Yuen Fong Ling is an artist and Senior Lecturer at Sheffield Hallam University, specialising in social art practice, post-colonial art and queer art theory, and founder member of The Human Memorial Research Collective. Ling has an MFA from Glasgow School of Art (2005-7), and a Fine Art PhD by Practice from University of Lincoln entitled “A Body of Relations: Reconfiguring the Life Class” completed in 2016.

Greg Lock grew up on a farm in the Fens of East Anglia. He studied visual art in Cambridge and Bretton Hall College, in West Yorkshire, before completing his MFA in Sculpture at Parsons School of Design, New York City, 1995. Greg continued making sculpture in both America and England before embarking on an innovative MA in Creative Technology at the University of Salford, 1999. He worked at the Centre for Virtual Environments in Manchester, UK before returning to the USA to work as an interdisciplinary professor of sculpture and new media at SUNY Purchase College for ten years. In 2011 Greg became the Director of the photography, film and related media program at The Hotchkiss School, in northwest CT, where he works today.

Derek Owens is an artist and writer living on Long Island and teaching in New York City.

Ogutu Muraya is a storyteller, performance artist, and writer, with a profound curiosity in the connection between the spiritual and the neurological, between realms of thinking and meaning, change and understanding.

Musyoki Mutua is a multi-talented artist hailing from the vibrant Akamba community in Kenya.

Julia Olson is a visual artist.

Judith is an interdisciplinary artist working in mixed media, film, photography and words.

Primarily a representational painter, Mains uses art objects to initiate dialogue and experiences.

KP Pradeepkumar is an artist whose works revolve around memoirs in an extensive logic of narrative in which paintings, drawings, photographs, sculpture are fuse with visual testimony as an ongoing process of deceptive self-representation in order to reconstruct the past and an artist myths in present.

Derek Owens is a professor of English at St. John's University, New York, where I direct the Institute for Writing Studies.

Dedicated choreographer who can work with dancers and actors off all ages and experience level proficiency at organizing live performance helping to integrate costume into performance and developing routines, specialized in large theatre productions.

Rosie Olang’ Odhiambo is a curator, bookmaker and artist based in Nairobi, Kenya. She is facilitating a session for the Trans Art residency in Nairobi

Neo Sinoxolo Musangi is a queer feminist living in Olkejuado, Kenya. They work in art and academia; is a Senior Research Fellow at the Center for Art, Design and Social Research (CAD+SR); is a founding member of the Black Planetary Futures Collective, and teaches Gender and Sexuality Studies at St. Lawrence and American University.

An Paenhuysen is a curator, art critic, writer and educator based in Berlin. Her curatorial career started at Hamburger Bahnhof - Museum of Contemporary Art, Berlin, in 2009, curating exhibitions of Paul Pfeiffer, Land Art and Valeska Gert.

Jared ONYANGO's interests are in choreography, writing, everyday happenings, urban spaces and environmental topics. He has been exploring movements and behaviours of people in public spaces. Jared is one of the founding members of Tempo Arts Centre, a community green space located in Lucky Summer Estate, approximately 11 kilometres northeast of Nairobi's central business district.

Dr. Jade de Montserrat was the recipient of the Stuart Hall Foundation Scholarship supporting her PhD (via MPhil) at IBAR, UCLan, and the development of her work from her Black diasporic perspective in the North of England. de Montserrat works through performance, drawing, painting, film, installation, sculpture, print and text. 

Caden Manson is an artist, curator (Contemporary Performance and Special Effects Festival), and educator. Through the company Big Art Group, their performance work creates radical queer narrative structures and embodiments to construct and aid transitory generative critical space for participants and audience. Their work is dense, fast, multi-layered, and traverses multiple genres and forms, often using interference, slippage, and disruption strategies. Manson has presented throughout 14 countries and over 50 cities in Europe, Asia, and North America.

Elena Marchevska is a practitioner, academic and researcher interested in creating work that can help us to think through new historical discontinuities that have emerged in post-capitalist and post-socialist transition. This is ever more relevant at a time when the Eurozone is fragmenting, and right wing populisms are on the rise. In addition, she does research and writes extensively on the issues of belonging, female body and the border and intergenerational trauma.

Susanne Martin (PhD) is a Berlin based artist, researcher, and teacher rooted in contemporary dance and performance. She works internationally as soloist and in collaborative settings. Her artistic practice and research focus on improvisation, practices and narrations of the aging body, humor and irony in dance, artistic research methods, improvisation-based and art-based approaches to learning, knowledge production and knowledge dissemination

Andrew McNiven was born in Edinburgh in 1963 and studied Fine Art at Goldsmiths' College, graduating in 1987, a contemporary of many of the artists who rose to international prominence during the 1990s. He received his MA from Goldsmiths' in 1995. Since 1990 his work has been shown nationally and internationally by, amongst others: the Lisson Gallery, the Whitechapel Gallery, the Akademie der Kunst, Berlin, and the Neue Galerie, Dachau. Recent projects include ‘The First Night of Experimental Boredom’ at 222Lodge, Dordrecht (NL), ‘Visual Art by Verbal Means’ at Kunstal Rotterdam (NL); 'The Understanding Gaze': Perre Bourdieu/Andrew McNiven, White Box, Zeppelin University, Friedrichshafen, (DE). He completed an AHRC-funded, practce-led PhD at Northumbria University in 2011. Previously a lecturer at Edinburgh College of Art, he is currently Senior Lecturer in Visual Culture at Zeppelin Universität in Friedrichshafen, Germany.

Nancy Messegee is a text- and movement-based artist living in Austin, where she is dedicated to fully inhabiting and exploring the sacred spaces of body, home, and world through iterative creative practice. Born in upstate New York, she grew up in a village of 750 residents in Alaska, which she left at 16 to attend and then graduate from Yale, becoming the first woman in her family with a college degree.

Rene MG believes that art is an experience and is enhanced when shared with others and when it includes interactive and visceral moments. She created PIP art popup in 2016. PIP=participatory immersive/interactive performance art operates on the idea that the viewer/participant is invited into a space where they can chose to participate, facilitate or watch. PIP is site-reactive, site-specific and site-enhancing based on deep hanging out and research.

Prof. Dr. Thomas Mical is Professor of Architectural Theory. Previously a tenured faculty in the US, Canada, Australia, and New Zealand, and he has taught and lectured internationally. His research crosses architectural theory, media-philosophy, design research methods. He edits the book series Architectural Intelligences (Brill).

Jason Bahbak Mohaghegh (Ph.D. Columbia University) is Associate Professor of Comparative Literature at Babson College teaching courses in world literature, philosophy, cultural studies, and visual art. He also holds a faculty position at the Institute for Doctoral Studies in the Visual Arts (IDSVA) and is Director of the Transdisciplinary Studies Program for the New Centre for Research & Practice.

Tine Frich Møller is a multidisciplinary artist, painter, writer, and educator in Norway. At core, she is humbled and puzzled by life, by people and all their worldly complexities - and in the midst of this, she thinks of her selves as an explorer, a people-traveller or a hoarder of people and their life stories and a thinker-doer.

Ferdinand / Holly Regan is a multidisciplinary writer and artist who explores the ways that we connect, transcend, and heal through altered states. As a queer and trans person, they focus on the experience of underrepresented communities through work for the page, stage, table, and screen.

Bill Ratner is a storyteller.

Raphael is a film and media scholar and digital artist.

Stephanie Reid is an interdisciplinary artist whose focus on fine art and photography lead into film making, video, animation / effects, and sound as mediums for more complex storytelling.

Joseph Rafferty’s projects are his artistic statements.

Holly Rhame is an artist based in Hudson, New York. She attended the California Institute of the Arts for her BFA, graduating in 2011. She was awarded her MFA from Lesley University in 2022. 

Dr. Carolina Rito is Professor of Creative Practice Research, at the Research Centre for Arts, Memory and Communities (CAMC), at Coventry University, UK; and leads the centre’s Critical Practices research strand. Carolina Rito is a researcher and curator whose work explores ‘the curatorial’ as an investigative practice, expanding practice-based research in the fields of curating, visual arts, visual cultures and cultural studies. In her work, Rito has been preoccupied with the notions of knowledge production in the field of the curatorial. This has meant that her interest resides on how practices – such as curating – produce new knowledge, or, in other words, produce a particular way of understanding the world.

New York painter Mark Roth’s work is focused on issues of extinction, rewilding, eco-grief, ethology and painting’s capacity as a tool for inquiry and solace. 

Steve Rowell is an artist who works with photography, moving image, sound, installation, maps, and spatial concepts to produce complex multicomponent projects. His practice investigates terrains of perception, nonhuman intelligence, ecologies, and technology, exploring the landscape as a site of political imagination. Steve contextualizes the morphology of the built environment with the surrounding medium of Nature, appropriating the methods and tools of the geographer and archaeologist.

Laurel Terlesky, a Canadian interdisciplinary artist, holds a Master of Fine Arts from Transart Institute and a Bachelor of Fine Arts from the University of Victoria. Her international works explore technology's role in communication and relationships, often through tactile installations. Awarded residencies and supported by prominent arts councils, Terlesky probes embodiment, and memory, seeking to mend communication rifts and challenge dualisms.

Josephine Turalba, born in Manila, Philippines is an interdisciplinary artist whose practice incorporates intersecting layers of different media: performance, sculpture, video, sound, photography.

Helen Scheuer Cohen is a painter.

Born in Edinburgh, Jennifer is a multidisciplinary artist, designer and educator who integrates textiles, fashion and writing. Studying for her undergraduate degrees at Chelsea College of Art and London College of Fashion, she then gained a Masters Degree in Theology & the Arts, from Kings College London, majoring in the ‘Idea of Beauty'.

Isabell Serafin-Krause holds degrees in English Literature and Creative Writing from Goddard College and Vermont College.

Katherine Soucie (BAA Fashion Design; Dip. Textile Arts; BFA, Printmaking/Textiles; MAA Visual Art, Textiles) is a Canadian/UK award winning artist and designer who specialises in transforming textile industry waste into new textiles, clothing, sculptural forms and installations. She studied Fashion Design in London and Toronto, Ontario, Canada before furthering her studies in Textiles and Visual Art in Vancouver.

Abi Tariq
Communications Director

Abi Tariq is an artist and cultural worker born in Karachi and based in Paris. Tariq holds a Masters of Fine Art from Transart Institute (Berlin/NY), a Bachelor of Fine Art from Parsons Paris (now Paris College of Art), and a Pakistani passport! Since 2023 they've taken on the role of Communications Director at Transart Institute.

Edward Shanken is best known for his scholarship at the intersections of contemporary art and new media. He has supervised dozens of MFA and practice-led Ph.D. students in the US and Europe and is committed to helping former students succeed in academic careers. He is Professor of Arts at UC Santa Cruz.

Gabriela Saenger Silva is an arts practitioner and researcher specialising in education and socially engaged practices. Socially engaged practices and community work Futurism Horticulture and food. She is a PhD candidate at the Exhibition Research Lab at Liverpool John Moores University.

Lorenzo Sandoval works as an artist and curator, and produces spatial devices that work as narrative machines. Since 2015, Sandoval runs The Institute for Endotic Research, which opened as a venue in 2018 in Berlin, co-directed by Benjamin Busch, and recently by Amouefa Amoussouvi too. His recent research deals with divergent genealogies of the connections between image production, textile making and computation.

An independent curator, Luisa Santos holds a Ph.D in Culture Studies by the Humboldt & Viadrina School of Governance, in Berlin, and M.A. in Curating Contemporary Art by the Royal College of Art, in London. Luísa Santos is also a Researcher in Culture Studies / Artistic Studies, since 2019 at the CECC of the Universidade Católica Portuguesa. Between 2016 and 2019, she was Assistant Professor, with a Gulbenkian Professorship, at the Faculty of Human Sciences of the Universidade Católica Portuguesa.

Miriam Schaer is a Brooklyn-based interdisciplinary artist who uses artist books, garments, photography, installation and collage to explore feminine, social, and spiritual issues. She is represented in numerous collections, including the Alan Chasanoff Book Arts Collection at the Yale Museum, the Arts of the Book Collection at Yale’s Sterling Library, the Mata & Arthur Jaffe Collection: Book as Aesthetic Object at Florida Atlantic University, the Brooklyn Museum of Art, Harvard University, and the Sallie Bingham Center for Women’s History & Culture at Duke University.

Kim Schoen (b. 1969, Princeton) lives and works in Los Angeles and Berlin. She received an MFA from CalArts in 2005, and a Master of Philosophy from the photography department at The Royal College of Art in London in 2008. Her work in photography and video installation has shown at numerous institutions and galleries worldwide including LACMA, MoCA, The Los Angeles Museum of Art (LAMOA), Richard Telles Fine Art, Young Projects, Moskowitz Bayse, LM Projects, and LAXART in Los Angeles; MMoCA (Madison Museum of Contemporary Art), BAM, Brooklyn, NY; The South London Gallery, Whitechapel Gallery, MOT International in London, Museum of Contemporary Art of Rome; Museo de Arte Moderno y Contemporaneo, Spain; Archive Kabinett, Kunstverein Springhornhof, Kleine Humboldt Galerie, and Edith Russ Haus für Medienkunst.

Dawn Schultz is a movement artist and educator currently creating works out of Monmouth County, New Jersey (USA). In 2018 she founded the Movement Exploration Laboratory, to promote choreographic perspective in young artists and is the co-director of the Dance Department for the Visual and Performing Arts Program in Ocean Township Schools.

Gabrielle Senza is a transdisciplinary artist who exhibits, lectures, and performs internationally. Her creative practice investigates the phenomenon of invisibility and examines what - and who - is seen, hidden, acknowledged or ignored in social, political, scientific and environmental realms.

Born in Amman, Jordan in 1978, Shereen Shalhoub has been working in the arts since 2006. She began with a gallery and painting, then shifted to sculpture and finally ceramics, where she has developed an interest in installation art and has had the opportunity to showcase three installations in Dubai. She has been working with ceramics since 2017 and continues to research the world of ceramics and all the possibilities it holds.