Posts tagged foreignness
Jean Marie Casbarian
Jean Marie Casbarian

Jean Marie Casbarian (b. Aberdeen, MD) is an interdisciplinary artist who works across photography, video, sound, writing and performance. She holds an MFA from Milton Avery School of Art at Bard College, New York (2000) and a BFA from the University of Colorado at Denver (1987). Her artistic practice lies in her interests around the reinterpretation of memory, personal fictions, migratory space and the essence of time. Along with exhibiting her works throughout the United States, Europe, Central America and Asia, Casbarian has received a number of awards and artist residencies including the Lower Manhattan Cultural Council, Louis Comfort Tiffany Foundation nomination, The LaNapoule Foundation Grant in LaNapoule, France, the Chicago Artist's Assistance Project Grant, an Associateship with The Rocky Mountain Women's Institute and has been a Research Associate with Five Colleges, Inc (Amherst, MA).

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TT 2 (c-d), All 2 (c-e)--docufiction and creative writing, expanded studio practices, experimental pedagogies, foreignness, otherness, international diaspora and exiled states, language and image, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, photography, video, writing, sound and performance, interdisciplinary installation
Bert de Muynck
Bert de Muynck

Bert de Muynck [Belgium, 1977] is an architect, writer, lecturer and co-director of MovingCities. He holds a MA Architectural Engineering [Catholic University Leuven, BE] and a GAS Cultural Sciences [Free University Brussels, BE]. He is a prolific public speaker, writer and has lived and worked in Amsterdam [NL, 2001-06], Beijing [2006- 09], Shanghai [2009-2018] and is now based in Lisbon.

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All 2 (c-e), TT 2 (c-d)Guest Usercuratorial practice, docufiction and creative writing, foreignness, otherness, space and temporary architecture, walking as an art practice, urban psychology, city awareness
Lucy Finchett-Maddock
Lucy Finchett-Maddock

Lucy Finchett-Maddock is an artist and academic at Sussex Law School, writing, researching and teaching in the fields of critical legal theory and speculative philosophy. She is one of the founders of the Art/Law Network and writes broadly on the themes of resistance, aesthetics, property, artificial divisions of art and law, and entropy.

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ALL 3 (f-h), TT 3 (e-n)Guest Userart and social technologies, ecology and environmental activism, experimental pedagogies, foreignness, otherness, home, nostalgia and the uncanny
Laura Gonzalez
Laura Gonzalez

Laura González is an artist, writer, yoga teacher and an Athenaeum Research Fellow at the Royal Conservatoire of Scotland. She is also faculty at Transart Institute. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she teaches art and psychoanalysis at various institutions in Europe and the US. She creates intimate durational performances for galleries and festivals, including Unfix, Buzzcut, Glasgow Open House and Market Gallery, and, in 2019, her work was shortlisted for the Adrian Howells Award for Intimate Performance.

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ALL 3 (f-h), TT 3 (e-n)--docufiction and creative writing, expanded studio practices, foreignness, otherness, language and image, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, movement, dance, choreography, publishing as an art practice, walking as an art practice, interdisciplinary practice, performance, writing, painting, photography, installation, video
Michael Hirschbichler
Michael Hirschbichler

Michael Hirschbichler studied architecture at ETH Zurich and philosophy at Humboldt Universität zu Berlin and completed his doctoral dissertation on “Mythical Constructions” at Berlin University of the Arts (UdK). He lived and worked in various countries, such as the United States, Switzerland, Papua New Guinea, Italy, Azerbaijan and France and is currently based in Zurich and Munich.

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ALL 3 (f-h), TT 3 (e-n)Guest Userart and social technologies, ecology and environmental activism, expanded studio practices, foreignness, otherness, home, nostalgia and the uncanny, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, space and temporary architecture
Caroline Koebel
Caroline Koebel

Caroline Koebel is an Austin-based filmmaker and writer, with recent retrospectives at Festival Cine//B (Santiago, Chile) and Directors Lounge (Berlin, Germany). Current research focuses on the relationship individuals have to the greater reality of contemporary global experience and the means by which information is disseminated, gathered and assimilated in the Web 2.0 age. 

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ALL 4 (I-L), TT 3 (e-n)--creative fiction and experimental non-fiction, language/image, art and social technologies, role of art in peace, meditation, performance activism, liminality, space/place, temporary architecture, foreignness, otherness and the uncanny
Carolina Mendonça
Carolina Mendonça

Carolina Mendonça is interested in contamination of knowledge and in being vulnerable to different logics. Graduated in Performing Arts at ECA-USP and with Master’s in Choreography and Performance at Giessen University in Germany. Her latest projects are Pulp- History as a Warm Wet Place (2018) in Mousonturm that deals with an intuitive archeology digesting the leftovers of the XVII-XVIII centuries; useless land (2018) a night reading that invites de audience to sleep that happened in many different contexts such as MAerzmusik in Berlin, Ferme de Buisson in Paris, Beursschouwburg in Brussels and Sesta in Prague among others; We, the Undamaged others (2017) a work that puts in question happiness as an horizon that organizes our lives, premiered at Oswald de Andrade in São Paulo and showed in MIT-2018; Falling (2016) explores sleeping as a possible dance practice presented at Mousonturm.

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TT 3 (e-n)Guest Userart and social technologies, curatorial practices, expanded studio practices, experimental pedagogies, foreignness, otherness, home, nostalgia and the uncanny, language and image
Thomas Mical
Thomas Mical

Prof. Dr. Thomas Mical is Professor of Architectural Theory. Previously a tenured faculty in the US, Canada, Australia, and New Zealand, and he has taught and lectured internationally. His research crosses architectural theory, media-philosophy, design research methods. He edits the book series Architectural Intelligences (Brill).

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ALL 5 (m-p), TT 3 (e-n)Guest Userdocufiction and creative writing, ecology and environmental activism, expanded studio practices, experimental pedagogies, foreignness, otherness, home, nostalgia and the uncanny, liminal states, interstices, spacetime, space and temporary architecture
Jason Bahbak Mohaghegh
Jason Bahbak Mohaghegh

Jason Bahbak Mohaghegh (Ph.D. Columbia University) is Associate Professor of Comparative Literature at Babson College teaching courses in world literature, philosophy, cultural studies, and visual art. He also holds a faculty position at the Institute for Doctoral Studies in the Visual Arts (IDSVA) and is Director of the Transdisciplinary Studies Program for the New Centre for Research & Practice.

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ALL 5 (m-p), TT 3 (e-n)Guest Usermemory, forgetting, trauma and the archive, language/image, international diaspora and post-colonialism, liminality, space/place, temporary architecture, foreignness, otherness and the uncanny, architecture and space, art and madness, art and the unreal, aesthetics of darkness/night, middle eastern art, avant-garde movements, philosophy and art, futuristic art, apocalyptic art, philosophy, poetry, literature, visual art and architecture, film, cultural studies, postcolonial studies, critical theory
Tom Overton
Tom Overton

Tom Overton is a writer and and Archive Curator/Postdoctoral Fellow at the Barbican Centre, London. As part of an AHRC-Funded PhD between the British Library and the Centre for Life-writing Research, King's College London, he catalogued the archive of the writer and artist John Berger (1926-2017), and curated a conference, free school and exhibition at Somerset House, London, to mark the 40th Anniversary of Berger's collaborative TV series and book Ways of Seeing (1972) and Booker-winning novel G.

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ALL 5 (m-p), TT 4 (o-z)Guest Userpublishing as an art practice, post-nationalism, post-colonialism, memory, forgetting, trauma and the archive, language and image, home, nostalgia and the uncanny, docufiction and creative writing, foreignness, otherness, art and social technologies, curatorial practices
Daniel Pinheiro
Daniel Pinheiro

Born in Venezuela and based in Porto, Portugal with a background in theatre, Daniel Pinheiro has been exploring, among others, the concept of Telematic Art, using video as a tool and the internet as a platform, merging both languages into a single object of expression. In this field he aims at reflecting on the impact of technology on everyday life and the environment of the Internet as a reflection of a world where the abstract nature of this transmedia movement changes the notions of space, presence, privacy and identity.

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ALL 5 (m-p), TT 4 (o-z)Guest Userart and social technologies, curatorial practices, experimental pedagogies, foreignness, otherness, home, nostalgia and the uncanny
Ana Sánchez-Colberg
Ana Sánchez-Colberg

Ana Sánchez-Colberg is a Puerto Rican multidisciplinary artist based in Europe. She has been awarded Fellowships by the Swedish Research Council, Arts Council of England, British Council amongst others. She has also been a recipient of a National Endowment for the Arts Award in 2016 and the recipient of the highly coveted MAP Funding (USA) award in 2019, and multiple other awards and recognitions. She holds an MFA in Choreography from Temple University (Philadelphia, USA) and a PhD from Laban Centre London (CNAA validated).

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Guest (k-z)Guest Userart and social technologies, expanded studio practices, foreignness, otherness, liminal states, interstices, and spacetime, memory, forgetting, trauma and the archive, movement, dance, choreography, new materialism, object-oriented ontology, peace, mediation and performative activism, sound, music, field recordings, composing, space and temporary architecture, walking as an art practice, movement practices, space design, video, audio design, 'new technology'/live stream, creative writing
Valerie Walkerdine
Valerie Walkerdine

Valerie Walkerdine (PhD) is an artist and academic. As an academic she has taught, written and researched in the fields of critical psychology, affect studies, psychoanalysis, cultural studies, artistic practice and theory, social theory, class, gender and feminism, community and de-industruialisation and neoliberalism.

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ALL 8 (u-z), TT 4 (o-z), Alumni--ecology and environmental activism, experimental pedagogies, foreignness, otherness, home, nostalgia and the uncanny, language and image, liminal states, interstices, and spacetime, memory, forgetting, trauma and the archive, movement, dance, choreography, co-created community based art practice, performance, feminist art practice, installation, film and video, photography, drawing, social practice/community engagement
Beth Weinstein
Beth Weinstein

Beth M. Weinstein (BFA Syracuse, MArch Columbia GSAPP, PhD UTasmania) is an architect, artist, educator and researcher. Recent solo and two-person exhibitions of her work include Performing Spatial Labour (2019, Plimsoll Gallery, Hobart), Palimpsest (2019, Un Lieu pour Réspirer, Les Lilas-Paris), States of Exception (2018, Cité Internationale des Arts/Jeu de Paume, 2018) and the 2015 and 2018 Arizona Biennials. She received the NY Architectural League’s Young Architect’s Award and has been awarded artist residencies through the Académie d'Architecture, the Cité Internationale des Arts (Paris), Bundanon Trust (New South Wales), and the Casa de Velazquez (Madrid).

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ALL 8 (u-z), TT 4 (o-z)Guest Userecology and environmental activism, foreignness, otherness, media and design, memory, forgetting, trauma and the archive, movement, dance, choreography, peace, mediation and performative activism, post-nationalism, post-colonialism, space and temporary architecture, critical spatial practice